How to take Better Pictures - Composition Basics

What is composition in Photography

Composition gives layout and structure to each photograph, significantly influencing how the subject is perceived and understood. It guides the observer's eye through the image and emphasises the focal point, ultimately helping to create compelling and well-balanced photographs. By carefully composing the elements within the frame, we allow viewers to see the scene exactly as we intended.

Composition begins with the decision of what to include in the picture and what to exclude. However, many other factors influence composition, such as the visual weight of objects in the frame. Objects that have a strong presence and draw attention carry more visual weight. When composing a photograph, it’s important to balance this weight so that attention is evenly distributed throughout the frame.

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Composition: The Rule of Thirds

There are several guidelines that help achieve balanced compositions, the most common being the Rule of Thirds. This guideline divides the frame into thirds, both horizontally and vertically, creating a grid. The lines and their intersections represent the strongest points of composition. Placing subjects along these lines or at their intersections helps create a balanced and visually appealing image.

• Horizontal and Vertical Grid Lines: Align important elements along these lines.

• Intersection Points: Place key subjects at the intersections for maximum impact.

By following these guidelines and experimenting with different compositions, you can create photographs that are both visually striking and effectively convey your intended message.

Balance the Weight

When you're working on a composition, one of the key things to focus on is balance. Think of it like arranging furniture in a room—if you put all the big, heavy pieces on one side, the room feels off, right? The same goes for your visual elements. You want to distribute the visual weight evenly so that one side of your image doesn’t overpower the other.

Visual weight can come from different things—like the size of objects, their color, texture, or even how much contrast they have with the background. Larger, darker, or more detailed objects tend to feel "heavier" and draw the eye more. If you have something big and bold on one side, try to balance it out with something equally eye-catching on the other side, even if it’s not the exact same object.

It’s not about making everything perfectly symmetrical, though. Sometimes, asymmetry can create more dynamic and interesting compositions. But even in an asymmetrical layout, there’s a need for balance. Imagine a seesaw—if you have a heavy object close to the center on one side, you can balance it out with a lighter object placed farther away on the other side.

In the end, it’s all about guiding the viewer’s eye smoothly across the composition. If one area feels too heavy, it can stop the flow and make the image feel unbalanced. So, play around with your elements, shift things around, and keep an eye on how the overall composition feels. With a little practice, you’ll develop an instinct for creating that perfect balance.

Leading Lines

These are basically any lines in your image—like roads, rivers, or even the edge of a table—that naturally guide the viewer’s eye to where you want them to look.

Think of leading lines as little arrows that point the way to your main subject. They help create a path for the viewer’s eye to follow, making the composition feel more intentional and engaging. For example, if you’re shooting a landscape, a winding road or a row of trees can lead the viewer’s gaze right to a beautiful mountain or sunset in the background.

The lines don’t have to be super obvious or straight, either. They can be curved, diagonal, or even a series of objects that form an implied line. The key is that they direct attention toward the focal point of your image.

Leading lines can also add depth to your photos, making them feel more three-dimensional. When lines start in the foreground and extend into the background, they draw the viewer into the scene, making them feel like they’re stepping into the picture.

So next time you’re composing a shot, look around for any natural or man-made lines that can work to your advantage. With a bit of practice, you’ll start to notice leading lines everywhere and use them to make your compositions stronger and more compelling.

Frame Within a Frame

Another fun technique to try out in your compositions is using a "frame within a frame." This is where you use something in your scene—like a window, doorway, or even tree branches—to create a natural frame around your main subject. It’s like giving your photo a picture frame, but you’re doing it right in the shot.

This trick adds a lot of depth to your image because it creates layers. Instead of just looking at the subject, the viewer has to look through the frame you’ve created, which makes the whole scene feel more three-dimensional and immersive.

Plus, framing your subject like this can also add context and tell more of a story. If you’re shooting someone through a window, for example, it might give a sense of them being inside, cozy and warm, while the outside world is just beyond. Or, using an archway in a historic building to frame a person can highlight the architecture and give a sense of place.

It doesn’t have to be a literal frame either. Get creative! You can use anything that surrounds your subject and draws attention to them, like the shadows cast by a fence or the shape of a cave opening.

This technique is also great for directing focus. By framing your subject, you’re guiding the viewer’s eye straight to what’s important, keeping them from getting distracted by other elements in the scene.

Patterns and Symmetry in Photography

When it comes to creating a visually pleasing composition, patterns and symmetry can be your best friends. Patterns are all around us—think of things like repeating tiles, rows of windows, or even the way leaves are arranged on a branch. When you capture these patterns in your photos, it naturally creates a sense of rhythm and harmony, making the image feel satisfying to look at.

Symmetry, on the other hand, is all about balance and order. When both sides of your image mirror each other, it creates a calm, organized feel that’s just naturally appealing. You see this a lot in architecture—like the way a building’s windows line up perfectly, or how a reflection in water can create a perfectly symmetrical scene. But symmetry isn’t just about being super precise. Even if something isn’t perfectly balanced, as long as there’s a sense of order or repetition, it can still have that soothing effect.

But here’s the thing: patterns and symmetry don’t have to be boring. You can play around with them, breaking the pattern with something unexpected or adding a splash of asymmetry to keep things interesting. It’s like giving your viewer something satisfying to look at, but also throwing in a little surprise to keep them hooked.

Intentional Background

Now, let’s talk about backgrounds. It’s easy to get so focused on your main subject that you forget to check what’s going on behind it. But the background plays a huge role in how your subject stands out. A cluttered or busy background can distract from what you’re trying to highlight, making your composition feel chaotic or unfocused.

When you’re setting up your shot, take a moment to really look at the background. Ask yourself if it’s helping to tell the story or if it’s just getting in the way. Sometimes, all it takes is a slight change in angle or position to find a background that’s more neutral or complementary. For instance, a plain wall, an out-of-focus landscape, or even a nice gradient of colours can really help your subject pop.

On the flip side, a background can also add context and depth if used thoughtfully. Maybe the textures or colors in the background echo elements of your subject, creating a cohesive look. Or perhaps the background provides a sense of place—like shooting a portrait in a bustling city street versus a quiet park. Just remember, the goal is to make sure the background supports the main subject, not competes with it.

In the end, it’s all about finding that sweet spot where everything in your composition works together harmoniously—whether through patterns and symmetry or a well-chosen background. And with a little practice, these techniques will start to become second nature.